Kyrgyzstan gambling dens

Monday, 21. December 2020

[ English ]

The confirmed number of Kyrgyzstan casinos is something in some dispute. As data from this country, out in the very most interior area of Central Asia, can be hard to receive, this may not be too difficult to believe. Regardless if there are two or three accredited casinos is the item at issue, maybe not really the most consequential piece of info that we do not have.

What no doubt will be correct, as it is of the lion’s share of the old Russian states, and certainly true of those located in Asia, is that there will be many more not allowed and backdoor gambling dens. The change to acceptable wagering did not energize all the illegal locations to come out of the illegal into the legal. So, the bickering regarding the total amount of Kyrgyzstan’s gambling dens is a tiny one at most: how many approved ones is the thing we are trying to reconcile here.

We are aware that in Bishkek, the capital municipality, there is the Casino Las Vegas (a stunningly unique name, don’t you think?), which has both gaming tables and slot machines. We can also find both the Casino Bishkek and the Xanadu Casino. Both of these have 26 video slots and 11 gaming tables, separated between roulette, vingt-et-un, and poker. Given the amazing similarity in the sq.ft. and floor plan of these 2 Kyrgyzstan casinos, it might be even more bizarre to see that the casinos share an address. This appears most difficult to believe, so we can perhaps state that the list of Kyrgyzstan’s gambling halls, at least the legal ones, is limited to two casinos, one of them having changed their title just a while ago.

The nation, in common with almost all of the ex-Soviet Union, has experienced something of a accelerated conversion to free-enterprise economy. The Wild East, you may say, to refer to the chaotic ways of the Wild West an aeon and a half back.

Kyrgyzstan’s casinos are almost certainly worth checking out, therefore, as a bit of anthropological analysis, to see money being gambled as a type of collective one-upmanship, the conspicuous consumption that Thorstein Veblen wrote about in 19th century u.s..

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